About
Sound familiar?
Audition dates screenshotted into your camera roll. Fees on a receipt somewhere. The correction your teacher gave you last Tuesday, already half forgotten. Dancers carry an enormous amount of admin, and almost none of it has a home.
This is the part nobody teaches you. So these are the pages for it.
Who it is for
01
You dance around a job, a degree or a family, and you are starting to audition for summer intensives or small companies. The tracker keeps the applications, the costs and the wins in one place, so the effort actually counts for something.
02
You are auditioning across countries, juggling deadlines, fees and repertoire in the middle of a contract. This is the page you fill in on the train and check before every application closes.
03
You are guiding students through their first audition season. Print a copy each, and give them a structure for the admin instead of hoping they remember it. A dedicated teacher planner is coming next.
A note from the desk
I made the first version of this tracker for myself, during a season where I applied to more companies than I could keep track of and lost a deadline I genuinely cared about.
It started as one page. Then it became a folder. Then friends kept asking me to send them a copy.
None of this is about being more productive. It is about giving the work you are already doing somewhere to live, so that when the season ends you can actually see what you did.
Print it. Write on it badly. Spill coffee on it. That is the point.
Miryam
What it costs
The atlas, the audition boards and the resources stay free permanently, with no account. They are the part of this that should belong to everyone.
The desk
Free
No account, nothing sent anywhere
The desk, complete
€5a month, or €39 a year
Annual includes the Dance Audition Planner
Being straight with you: the paid tier is not built yet, so there is nothing to buy today and no card to enter. Deadline reminders are the reason it will exist, and they need accounts first. Leave your email and you will hear once, when it is real.
In the studio
Vol.02
Weekly classes, corrections, goals and body notes, for the training itself rather than the auditions.
Vol.03
Term calendars, class plans, choreography notes and student progress, built for a full teaching year.
Want to know when they land? Leave your email below and you will hear first.
Good questions
Yes. It is free, it needs no account, and it stays that way. It exists because this information is scattered across a hundred different websites and it should not be.
Each company card shows the date its details were last checked, and links straight to the company's own audition page. Deadlines move without warning, so always confirm on their site before you plan a trip.
Say hello
This is a small operation, so a real person reads everything. Corrections to the atlas are especially welcome, since directors and deadlines move faster than one person can track.
Anything about the tracker, the files, printing, or your order.
A director has changed, a link is dead, or a company is missing. Send it over and it gets fixed.
Copies for a whole class or school, on one licence rather than one per dancer.